Please welcome my fellow Astraea Press author Kristin Wallace! She’s here today with her newest book, Imagine That. It’s the third book in the Covington Falls Chronicles.
Children’s author Emily Sinclair was supposed to be the next J.K. Rowling… Until her second book flopped and her imagination went on the fritz. So she sets out on an epic adventure to find inspiration again. Till a dead car lands her in Covington Falls, Georgia. Soon Emily is taking up her quest, looking for inspiration driving a mobile library van, as a companion to a crotchety old woman and her insomniac dog, and as a very ungraceful baker’s assistant. Of course, what really sparks her romantic fantasies is a valiant hero, though he yields a paint roller instead of a sword.
Rugged, blue-collar Nate Cooper has spent most of his life avoiding the printed page. These days he doesn’t have much use for fancy words and certainly not for a slightly off-center writer on the lam. Not when his mother is battling cancer, his little brother has morphed into a teenaged ogre, and God seems to have taken a vacation.
On paper, these two would seem the least likely pairing, and a happily ever after nothing but fantasy. But with faith and imagination Emily and Nate are about to write a new chapter that will lead to unexpected love.
A stomach-churning thunk. A disaster-laden chug. A scary, threatening gurgle.
Emily Sinclair’s hands clutched the steering wheel as she guided her how-could-you-give-out-on-me–now convertible to the side of the road. With a last ominous blunk and splutter, the car gave up the ghost.
She switched off the engine, waited a few seconds, and then turned the key again. Nothing.
Not surprising. As if anything glug-glugging like an octogenarian trying to cough up a lung was going to restart with so little effort.
A cranky yowl went up from the passenger seat. Emily glanced over at the pet carrier and sent the fat Persian inside a confident smile. “Don’t worry, Wordsworth. This is why modern man invented cell phones.”
She fished her phone out of her purse. A blank screen stared back at her. Pressing more buttons did nothing.
Dead as her car.
With a sound of disgust, Emily tossed the useless phone aside and stared out the windshield at the deserted country road in front of her. The very deserted country road that stretched around a sparkling blue lake and disappeared into the back of beyond. The kind of road featured in all the best horror stories. Emily’s mind conjured up every one, along with the opening line in the newspaper article.
Onceamous children’s author found mangled to death. Quest to locate her lost imagination and revive faded career ends in disaster… as her mother predicted.
Muttering an oath, Emily climbed out of the car and slammed the door as hard as she could. What a fix. And ironic. There were rules about writing. Not grammar rules, like where to put commas or when to use a semicolon. No, the unofficial rules for fiction writing. Chief among them is that an author should never start a novel with the character driving or thinking. No, readers wanted action right off the top, and the car could never break down.
In college, Emily had written a short story where the heroine’s car stalled in a typical these-people-will-murder-you-in-your-sleep town. Emily’s professor had written cliché in bold, red pen across the page. Not satisfied, she’d added boring cliché, underlining the boring with three thick red lines. The critique had stung. The fact that it had come courtesy of Professor Vanessa Sinclair, Emily’s mother, had been like ripping off an old bandage.
Emily was breaking all three cardinal rules of writing at once. Though technically the driving rule didn’t apply. Same for the sitting rule. She was thinking, though. Thinking her entire life had become a cliché, so what did it matter if she broke her mother’s precious writing rules? She was a one-hit writing wonder. A flash in the pan. A big-haired eighties’ rock band that had scored one giant hit and then disappeared into the oblivion of those nostalgic ‘Where are they now?’ music specials.
Emily sighed. If one had to break down somewhere, one could do worse than… what had the sign said back there? Covington something. Covington something, Georgia. Muted afternoon sun shimmered off the surface of the lake. She lifted a hand to ward off the eye-watering glare and focused on the water. In her previous life, the golden flecks of sunlight reflecting off its surface would have transformed into a million different kinds of fantastical creatures. Or maybe something nightmarish would charge out of that bank of oak trees across the lake.
Unfortunately, Emily was stuck in her real life, and her imagination was on the fritz.
Well, at least she wouldn’t die of water deprivation while she waited to be rescued.
Speaking of rescue.
A car had appeared, winding around the curve of the lake. A big ole’ country truck calling to mind hoedowns and hay rides. A big ole’ rusty truck, Emily realized as it drew closer. Burnt red growth spread out across the hood like a marauding band of Vikings overtaking a defenseless village. She imagined rust was the only thing holding the vehicle together.
The truck slowed and Emily tensed, torn between elation at being found and wariness regarding exactly who might be behind the wheel of the ancient rattletrap. The glare off the windshield made it impossible to see inside the cab, however.
The tires veered off to the side of the road and stopped, sending up a cloud of dust. Emily waved her hand, choking on the airborne dirt. Her mouth felt dry as if she had licked the ground. The door opened. Work boots emerged. Brown and roughed-up and covered in… paint. A man stepped out, and Emily steadied her hands against the car to keep from falling over.
Mr. Darcy. No, Heathcliff. Only instead of a cravat and breeches, he was dressed in faded jeans and a black T-shirt, which seemed molded to an impressive chest. Heath stretched up a good six-plus feet, towering over her puny five-foot-two frame. A lock of dark chocolate-brown hair brushed over his forehead. Their eyes met. Since she was already thinking in clichés, Emily’s mind offered up a million of them to describe his eyes. She could start with gray, but no way did such a mundane word do them justice. Slate, storm clouds, a roiling sea, glazed pewter. Devastating, and framed by thick sooty lashes no man had a right to possess.
He stopped a few feet away, and Emily had the fanciful notion he was trying not to frighten her. Like she was a skittish filly about to bolt.
“Hi,” he said. “Car trouble?”
His voice was like his eyes. Smooth and deep, like honey in a cup of hot tea.
Emily nodded. How could she speak when every male literary fantasy she’d ever dreamed about had unfolded from a rusted-out pickup?
“You okay?” he asked. “You didn’t have an accident? Knock your head on anything?”
“No. Just a car that decided to die,” Emily said, finally finding her voice. “Along with my cell. Although that’s my fault since I didn’t charge it last night, even though my mother is always nagging me not to forget, since I’ve taken it into my head to wander the globe on an aimless search for purpose and meaning. Her description anyway, but if you’d lost your imagination wouldn’t you go to the ends of the earth to find it again? She doesn’t understand, though. Although maybe she’s right. I mean, here I am stuck in Covington something, Georgia, with a dead car, a dead cell, and a dead imagination. Although if I had an imagination I know I could come up with something fantastic about your truck.”
Emily slapped a hand over her mouth, horrified by the verbal diarrhea she’d just unleashed on her hapless rescuer.
The stranger stared at her for a moment, and then did the most unexpected thing. He grinned. “What was that?”
Her butt thumped against the hood of the car as her legs gave out. Oh, Heath had a smile on him that could tempt any fair maiden to let down her hair. Or anything else he wanted.
About the Author
Growing up Kristin devoured books like bags of Dove Dark Chocolate. Her first Golden Book led to Laura Ingalls Wilder, Nancy Drew, C.S. Lewis and the Sweet Valley High series. Later, she discovered romance novels and fell in love all over again. It’s no surprise then that Kristin would one day try her hand at writing them. She writes romance and women’s fiction filled with love, laughter and a leap of faith. She is the author of Covington Falls Chronicles, inspirational romances set in a quirky, Southern town with a character all it’s own. When she’s not writing her next novel, Kristin works as an advertising copywriter. She also enjoys singing in the church choir and worship team and playing flute in a community orchestra.
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